Week 10 (Nov. 20) NOTEBOOK CRITIQUE

SOUNDCLOUD PORTFOLIO CRITIQUE

GUIDELINES

Pick two or three pieces to talk about in 10 minutes. SOUNDCLOUD PAGES HERE.

You can attempt to listen through a particular mode :  distracted, reduced, causal, semantic etc. as in the exercise from a few weeks ago.

Speak to the technical / material / machinic qualities of the recording – everything from the mode of recording to the file format (and level of compression) to all the manipulations which take place in the recording itself: editing, compression, EQ, mixing, overlaying etc.

(Think back to our discussion of machined sound as well, for more references.)

If the recordings in question are field recordings,  you can refer back to the second project (under “questions to ask yourself”) as guidelines for questions to ask of the pieces you’re listening to.

PAIRINGS

FRANK listens to RAFAELA

RAFAELA listens to CHRISTINA

CHRISTINA listens to PAYTON

PAYTON listens to JAKE

JAKE listens to SOOA

SOOA listens to RON

RON listens to SARAH (H)

SARAH (H) listens to SAM

SAM listens to GLORIA

GLORIA listens to CARLIE

CARLIE listens to DANJING

DANJING listens to ZIXIN

ZIXIN listens to JIAYING

JIAYING listens to SARA(DG)

SARA(DG)  listens to JAMES

JAMES listens to FRANK

 

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