Introduction

VIDEO AS A MATERIAL SYSTEM

VIDEO ART AS A PSYCHOLOGICAL SITUATION

VIDEO as a MIX OF HUMANS AND MACHINES

VIDEO IN THE EVERYDAY

THE POLITICS OF VIDEO IN 2017 and 1967

THE EXPANDED FIELD – Video drifts around…

installation
sound work / technological art concepts
mainstream TV
online practices
structural and experimental film
intermedial practices

MAIN THEMES

1. real-time today: feedback, self-reflexivity, presence (WEEKS 1-4)
“attention edited in real-time”

2. disorientation: spatial, temporal, narrative (WEEKS 5-8)
disorientation of one’s own prejudices and centered manner of seeing / feeling

3. appropriation: sound + image hacking (WEEKS 9-12)

WEEK-BY-WEEK BREAKDOWN:

WEEK 2: real and synthetic times / duration

WEEK 3: cyborg perspectives: feedback, discontinuous time, temporal manipulation

WEEK 4: PROJECT 1 CRITIQUE

WEEK 5: disorientation: spatial and temporal

WEEK 6: machine vision and panoptics

WEEK 7: narrative disorientation

WEEK 8 : PROJECT 2 CRITIQUE

WEEK 9 : appropriation and the edit

WEEK 10: NOTEBOOK PEER CRITIQUE

WEEK 11: sound and image

WEEK 12: FINAL CRITIQUE (PROJECT #3)

PARTICIPATION!

ANARCHIC SYSTEM OF CAMERA DISTRIBUTION

THREE PROJECTS

Project 1: Collaborative Real-Time Performance

Project 2: Disorientation!

Project 3: Sound & Image Recombination

VIDEO NOTEBOOK

Leave a Reply